For Sale: Twelve A2 prints of ‘The Digital Rain Gallery of the Louvre’

Digital Rain of the Louvre

I am selling twelve A2 prints of the above image The Digital Rain Gallery of the Louvre for £30 plus p+p. If you would like one, please email me at bryaneccleshall (at) gmail (dot) com and I’ll put you on the list. First come, first served. I’ll ship anywhere in the world and can accept Paypal.

Form an orderly queue…

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For Sale: After Pablo Picasso’s ‘Guernica’

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After Pablo Picasso’s ‘Guernica’

I have decided to offer my large multi-panel drawing for sale with all the proceeds of that sale going to Bank Street Arts in Sheffield. Bank Street Arts is a multi-disciplinary arts centre where I have have been a resident artist and trustee for several years. You can read more about the centre here.

The sale will take place as part of a solo show of my monochrome works at Bank Street Arts on the 16th and 17th June. If you’re interested in buying the work it will be offered unframed with a reserve price of £1500. We have to sort out the details, but basically the highest bid over £1500 made by the close of the show will secure the piece.

Some details:

  • Size: 2400mm x 1200mm.
  • Assembled from 144 square panels, with slight mismatches visible throughout the work. Click on the image above for a much closer look.
  • Graphite on Paper.
  • Unframed.

The drawing will be on display during the exhibition, which we plan to run in conjunction with a symposium on copyright. If you are interested in attending the symposium, you can find the details here. On that page is a call-out for twenty-minute papers, for which the deadline is May 15th.

If you can’t make it to the show but are interested in placing a bid for the work, please let me know (my email address is bryaneccleshall (at) gmail (dot) com) and we’ll see what can be arranged.

I will post much, more about the solo show in due course, but I wanted to make this announcement as soon as possible.

A Summary of Work…

It’s been a while since I last posted anything on here. That’s not because I’ve nothing to say, but because I’ve been busy with all sorts of stuff. I thought I’d take a few minutes to summarise my practice at the moment with a few links to where it can be seen and to bookmark a few posts on this blog that keep getting hits…

  • Digital Rain
    • While I am still making monochrome pencil drawings I have been working on a series of digital collages that I impulsively called Digital Rain. I did post them on here to begin with, but I was making two or three a day and it was turning into a chore. I have revived by instagram account which is probably the best place to see them. I also post them on twitter, but mixed in with all sorts of other stuff. A couple of recent images sit at the head of this post. The work emerges form the Sans Terre work I make with Chris Graham and is concerned with refugees, art history, Beyoncé, dystopian science-fiction, religion, and loads more. I’m not thinking too hard when I make individual pieces as I see them as being in conversation with one another and what is clear in one piece is muddy in another. They are yet to be exhibited.
  • Radio Four Appearance
    • A couple of weeks ago I was interviewed for a BBC Radio Four programme about copyright. It can be listened to through the BBC iPlayer on this page. I’m on close to the end, but it’s a fascinating meditation on the fitness of copyright law (or rather the lack of it) in the digital age. Recommended, even if I had nothing to do with it. Listen here. In the programme Richard Taylor refers to my prize-winning drawing, After Joseph Beuys’s Wirtschaftswerte (Economic Values). You can read more about it here and see it below.

After Joseph Beuys Wirtschaftswerte II

  • 365 Project Advice
    • My advice for starting a 365 drawing project keeps getting referred to and you can find it here.
  • Antoine Berman’s Twelve Deforming Tendencies of Translation
    • The most popular post I’ve ever written is this one, concerned with the text that was the course of my Ph.D. research. I suspect that people click on and then click off. I probably ought to expand it. I will be writing a version of my findings as a chapter of a book. That’s likely to be the reason I disappear from view in June and July.