Since October last year I’ve been making the Digital Rain series of work. It’s grown and grown – too big to post here in detail, but I post almost everything on Instagram and Twitter, so you can follow my progress there.
Last weekend I made a fifteen minute video that explains how I made one of the series – posted above – and posted it on YouTube. My speech is a bit clipped as I had to slightly speed it up to upload it. When I started making it I didn’t know what I was going to make which is in line with the improvised nature of the project.
If you would like to buy a Digital Rain collection of your own making, now’s your chance.The headline is that I’m offering 250+ designs for £3 each with no minimum order. Order as few or as many designs as you like. The image above gives you an indication of what they look like.
To get hold of these you need to email me [bryaneccleshall (at) gmail (dot) com] and I’ll send you an order form or you can download it here: Digital Rain Order Form
Once you’ve filled it in, email it to me and I’ll get on with the order.
Thanks for reading and thanks for your continuing support.
It’s been a while since I last posted anything on here. That’s not because I’ve nothing to say, but because I’ve been busy with all sorts of stuff. I thought I’d take a few minutes to summarise my practice at the moment with a few links to where it can be seen and to bookmark a few posts on this blog that keep getting hits…
While I am still making monochrome pencil drawings I have been working on a series of digital collages that I impulsively called Digital Rain. I did post them on here to begin with, but I was making two or three a day and it was turning into a chore. I have revived by instagram account which is probably the best place to see them. I also post them on twitter, but mixed in with all sorts of other stuff. A couple of recent images sit at the head of this post. The work emerges form the Sans Terre work I make with Chris Graham and is concerned with refugees, art history, Beyoncé, dystopian science-fiction, religion, and loads more. I’m not thinking too hard when I make individual pieces as I see them as being in conversation with one another and what is clear in one piece is muddy in another. They are yet to be exhibited.
Radio Four Appearance
A couple of weeks ago I was interviewed for a BBC Radio Four programme about copyright. It can be listened to through the BBC iPlayer on this page. I’m on close to the end, but it’s a fascinating meditation on the fitness of copyright law (or rather the lack of it) in the digital age. Recommended, even if I had nothing to do with it. Listen here. In the programme Richard Taylor refers to my prize-winning drawing, After Joseph Beuys’s Wirtschaftswerte (Economic Values). You can read more about it here and see it below.
365 Project Advice
My advice for starting a 365 drawing project keeps getting referred to and you can find it here.
Antoine Berman’s Twelve Deforming Tendencies of Translation
The most popular post I’ve ever written is this one, concerned with the text that was the course of my Ph.D. research. I suspect that people click on and then click off. I probably ought to expand it. I will be writing a version of my findings as a chapter of a book. That’s likely to be the reason I disappear from view in June and July.